Members Gallery

Alistair Smyth

Primarily a painter of people, Alistair has an eclectic approach, finding inspiration in the people and landscapes of the West Coast of Scotland, which provide the source material for his social-historical, religious and literary subjects.

Siobhan Carver

Siobhan paints in oils and specialises in local scenes

Helen Critchley

Helen paints mostly landscapes, often on a large scale, inspired by our fabulous surroundings

Catherine Putman

I have my studio in Ardgour, on the shores of Loch Linnhe, in Scotland, looking across the loch to the slopes of Ben Nevis. Married to a wildlife biologist, I have lived in the area for 10 years. Largely self-taught, I have been painting for many years, although have only relatively recently started to exhibit more widely.

Bill Loughray

I am completely self taught and all my paintings are in acrylic. My main inspiration is the Scottish landscape and most of my paintings are of Skye and the West coast of Scotland.

Jessica Crighton

My name is jessica and I am an artist specialising in contemporary portraits of animals especially associated with Scotland.

Pat Fowler

I mostly paint landscapes, in watercolour and oil, but also enjoy doing animals and portraits in pastel and acrylic, and flowers and botanical subjects in watercolour.

Lorna Finlayson

Colour is the driving force for me and living here in Lochaber provides lots of exciting opportunities for me to play with colour and light, in a range of mediums. I especially enjoy the sometimes unexpected effects of batik.

Lisa Glaze

Lisa paints in acrylic and watercolour showing her love of the Highlands of Scotland in her often bold
style

Allison Ross

If you would like to know more about Allison's work you can contact her at allibevanr@gmail.com

Gay Anderson

Gay uses acrylics to raise a smile with her much loved figures or to create haunting collage landscapes , paintings and cards

Kathleen Baxter

Beautiful work by Kathleen in watercolour, acrylics and pencil

Dorothy Kelly

The subject of my early paintings, were the industrial scenes I passed on my way to work near Manchester. It was the sharp contrast of yellow cut timber, or a green tarpaulin, on grimy wagons that caught my eye.